Rascal Flatts 'Bob' to new fall tour dates

Country tercet Rascal Flatts [ ] has extensive its stream "Bob That Head" go, with the group

David Sylvian

   
Artist: David Sylvian

   Genre(s): 
Alternative
   Experimental
   Rock
   

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Discography:


   
 Secrets Of The Beehive

   Year: 2003   
Tracks: 11


   
 Blemish

   Year: 2003   
Tracks: 8


   
 Camphor CD1

   Year: 2002   
Tracks: 14


   
 Everything and Nothing - Disc CD2

   Year: 2000   
Tracks: 15


   
 Everything and Nothing - Disc CD1

   Year: 2000   
Tracks: 14


   
 Godman (Limited Edition)

   Year: 1999   
Tracks: 5


   
 Dead Bees On A Cake

   Year: 1999   
Tracks: 14


   
 Approaching Silence

   Year: 1999   
Tracks: 3


   
 Weatherbox (Disc 2) - Alchemy

   Year: 1989   
Tracks: 6


   
 Weatherbox ( CD3) - Gone To

   Year: 1989   
Tracks: 7


   
 Words With The Shaman

   Year: 1985   
Tracks: 3


   
 Brilliant Trees - Words With T

   Year: 1984   
Tracks: 10


   
 Gone To Earth (Instrumental)

   Year:    
Tracks: 10


   
 Gentlemen Take Polaroids Remastered (Inc Bonus Tracks)

   Year:    
Tracks: 11


   
 Everything and Nothing - Bonus CD3

   Year:    
Tracks: 4


   
 Camphor (bonus disc) CD2

   Year:    
Tracks: 3

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Following the 1982 dissolving of Japan, the group's sometime frontman David Sylvian staked extinct a far-ranging and esoteric life chronicle that encompassed non only solo projects simply also a serial of fascinating collaborative efforts and forays into filmmaking, photography, and innovative art. Born David Batt in Kent, England, on February 23, 1958, Sylvian formed Japan in 1974 and served as primary singer/songwriter throughout the group's eight-year existence. Just prior to Japan's dissolving, Sylvian began working with composer Ryuichi Sakamoto, with whom he released the individual "Bamboo Houses" in 1982, grading the beginning of a longstanding musical relationship.


Afterwards 1983's "Tabu Colours," another juncture cause with Sakamoto composed for the film Merry Christmas, Mr. Lawrence, Sylvian released his 1984 solo debut, Splendid Trees. The number 1 step in his music's evolution from Japan's post-glam synth pop into amply textured, poetic ambience, the album featured contributions from Sakamoto as well as Jon Hassell and Can alum Holger Czukay. That year, Sylvian also published his offset book of photographs, Perspectives: Polaroids 82/84; in 1985, he released Preparations for the Journey, a documentary filmed in and more or less Tokyo, as well as the EP Dustup With the Shaman.


Gone to Earth, an challenging bivalent LP recorded with assistance from Robert Fripp and Bill Nelson, followed in 1986, piece 1987 marked the release not but of the beautiful Secrets of the Beehive album simply as well the book ingathering Trophies: The Lyrics of David Sylvian. At the same time, he began composing the score for modernistic social dancer Gaby Abis' Kin, which premiered at London's Almeida Theater that September; some other collaboration with Abis, Don't Trash My Altar, Don't Alter My Trash, bowed in November 1988. Also in 1988, Sylvian reunited with Holger Czukay for the subservient LP Troth and Premonition; the duo re-teamed in 1989 for Flux density + Mutability. Coal Glance: The Permanence of Memory, an installation of sculpture, sound, and unaccented created by Sylvian and Russell Mills, was staged in Tokyo Bay, Shinagawa, in 1990; a year afterwards, he and the early members of Japan, wHO had briefly reunited under the distinguish Rain Tree Crow, issued a self-titled album.


In 1994, Sylvian emerged in tandem with Robert Fripp for both an album, The First Day, and Redemption, another sound-and-image initiation exhibited in Japan. The superb Dead Bees on a Cake followed in 1999; Coming Silence, a compendium of instrumental material, appeared subsequently that fall down. In fall 2000 Sylvian returned with the double-disc Everything and Nothing, which made for an fantabulous presentation to some of Sylvian's projects that had in the end interpreted flesh subsequently composition windup, financial settlements, and time constraints end-to-end his solo vocation. He reappeared in 2003 with Spot, an unsettling disk of new material featuring appearances by avant guitar legend Derek Bailey and electronica experimentalist Christian Fennesz.

Kim-Mori,Ikue-DJ Olive Gordon

   
Artist: Kim-Mori,Ikue-DJ Olive Gordon

   Genre(s): 
Indie
   

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Discography:


   
 SYR 5

   Year: 2000   
Tracks: 11

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The Dream

Albinoni, Tomaso

   
Artist: Albinoni, Tomaso

   Genre(s): 
Classical
   

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Discography:


   
 Sinfonia in G major for 2 oboes (arr. Anthony Camden,Anthony Camden - oboe I, Alison Alty - oboe II,

   Year: 1994   
Tracks: 3


   
 Concerto No.9 in F, Op.7 (Anthony Camden - oboe, The London Virtuosi, con. John Georgiadis)

   Year: 1994   
Tracks: 3


   
 Concerto No.8 in D, Op.7 (Anthony Camden - oboe I, Alison Alty - oboe II, The London Virtuosi, con.

   Year: 1994   
Tracks: 3


   
 Concerto No.6 in D, Op.7 (Anthony Camden - oboe, The London Virtuosi, con. John Georgiadis)

   Year: 1994   
Tracks: 3


   
 Concerto No.6 in D, Op.7 (Anthony Camden - oboe I, Alison Alty - oboe II, The London Virtuosi, con.

   Year: 1994   
Tracks: 3


   
 Concerto No.5 in C, Op.7 (Anthony Camden - oboe I, Alison Alty - oboe II, The London Virtuosi, con.

   Year: 1994   
Tracks: 3


   
 Concerto No.4 in G, Op.7 (Anthony Camden - oboe, The London Virtuosi, con. John Georgiadis)

   Year: 1994   
Tracks: 3


   
 Concerto No.3 in B flat, Op.7 (Anthony Camden - oboe, The London Virtuosi, con. John Georgiadis)

   Year: 1994   
Tracks: 3


   
 Concerto No.2 in C for 2 oboes, Op.7 (Anthony Camden - oboe I, Alison Alty - oboe II, The London Vir

   Year: 1994   
Tracks: 3


   
 Concerto No.12 in D, Op.9 (Anthony Camden - oboe I, Alison Alty - oboe II, The London Virtuosi, con.

   Year: 1994   
Tracks: 3


   
 Concerto No.12 in C, Op.7 (Anthony Camden - oboe, The London Virtuosi, con. John Georgiadis)

   Year: 1994   
Tracks: 3


   
 Concerto No.11 in C, Op.7 (Anthony Camden - oboe I, Alison Alty - oboe II, The London Virtuosi, con.

   Year: 1994   
Tracks: 3


   
 Concerto No.1 in D, Op.7 (Anthony Camden - oboe, The London Virtuosi, con. John Georgiadis)

   Year: 1994   
Tracks: 3


   
 Concerto No.8 in G minor, Op.9 (Anthony Camden - oboe, The London Virtuosi, con. John Georgiadis)

   Year: 1992   
Tracks: 3


   
 Concerto No.5 in C, Op.9 (Anthony Camden - oboe, The London Virtuosi, con. John Georgiadis)

   Year: 1992   
Tracks: 3


   
 Concerto No.2 in D minor, Op.9 (Anthony Camden - oboe, The London Virtuosi, con. John Georgiadis)

   Year: 1992   
Tracks: 3


   
 Concerto No.11 in B flat, Op.9 (Anthony Camden - oboe, The London Virtuosi, con. John Georgiadis)

   Year: 1992   
Tracks: 3


   
 Concerto No.7 in A, Op.7, for strings and continuo (12 Concerti a cinque,Berlin Chamber Orchestra)

   Year: 1973   
Tracks: 2


   
 Concerto No.4 in G, Op.7, for strings and continuo (12 Concerti a cinque,Berlin Chamber Orchestra)

   Year: 1973   
Tracks: 2


   
 Concerto No.1 in D, Op.7, for strings and continuo (12 Concerti a cinque,Berlin Chamber Orchestra)

   Year: 1973   
Tracks: 2


   
 Concerto A Cinque

   Year:    
Tracks: 3

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Patrick O'hearn

Kenny Loggins and Messina

   
Artist: Kenny Loggins and Messina

   Genre(s): 
Rock
   

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Discography:


   
 The Best of Friends

   Year:    
Tracks: 11

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Shashank

Christina Aguilera

   
Artist: Christina Aguilera

   Genre(s): 
Rap: Hip-Hop
   Pop
   Dance: Pop
   Rock: Pop-Rock
   

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Discography:


   
 Back to Basics

   Year: 2006   
Tracks: 22


   
 The Voice Within

   Year: 2003   
Tracks: 2


   
 My Reflection

   Year: 2003   
Tracks: 23


   
 Fighter

   Year: 2003   
Tracks: 2


   
 Can't Hold Us Down

   Year: 2003   
Tracks: 4


   
 Stripped

   Year: 2002   
Tracks: 20


   
 Nobody Wants To Be Lonely (Single)

   Year: 2001   
Tracks: 3


   
 Nobody Wants To Be Lonely

   Year: 2001   
Tracks: 3


   
 Lady Marmalade (Single)

   Year: 2001   
Tracks: 4


   
 My Kind Of Christmas

   Year: 2000   
Tracks: 11


   
 Mi Reflejo

   Year: 2000   
Tracks: 11


   
 Christina Aguilera

   Year: 2000   
Tracks: 6


   
 Christina Aguilera

   Year: 1999   
Tracks: 20


   
 Just Be Free

   Year:    
Tracks: 12


   
 Christina Aguilera (Bonus CD)

   Year:    
Tracks: 6

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After Britney Spears, Christina Aguilera was the to the highest degree popular female isaac Merrit Singer of the late-'90s teenager pop revival meeting. Unlike many of her generation, Aguilera was a technically skilled isaac Bashevis Singer with a really hefty voice, belting out her uptempo saltation numbers and ballads with a diva's panache. Born Christina Maria Aguilera on December 18, 1980, on Staten Island, her parents were of Irish and Ecuadorian fund and her father's military career meant the syndicate stirred rather a bit during her childhood. They eventually settled in Pittsburgh, PA, where Aguilera began performing in endowment shows at old age six, with considerable success. She appeared on Star Search in 1988 (though she didn't win) and in 1992 united the cast of the Disney Channel's The New Mickey Mouse Club, which also included Spears, succeeding *NSYNC members Justin Timberlake and JC Chasez, and Felicitousness star Keri Russell.


Later on two years, Aguilera touched to Japan, where she recorded the hit duet "All I Wanna Do" with kill star Keizo Nakanishi. Returning to the U.S. in 1998, Aguilera recorded the song "Reflexion" for Disney's Mulan; her carrying into action helped bring in her a record deal with RCA. Her self-titled debut album was released in the summertime of 1999, and with teen-oriented dance-pop all the rage, the lead single "Djinny in a Bottle" shooter to the top of the charts for five weeks; the album too collide with number one on its way to gross revenue of over octad 1000000 copies in the U.S. only. The followup, "What a Girl Wants," was the number one number unitary individual of the twelvemonth 2000 and Aguilera consolidated her near-instant stardom by performing at the White House Christmas gala and the Super Bowl halftime demonstrate, and winning a Grammy for Best New Artist. Further hits followed in "I Turn to You" and another number ane, "Occur on Over Baby (All I Want Is You)."


In September 2000, seeking a place in that year's Latin pop boom, the part-Ecuadorian Aguilera recorded a Spanish-language album called Mi Reflejo, encyclopedism the lyrics phonetically since she didn't speak Spanish. It was followed promptly by the holiday record album My Kind of Christmas; both sold extremely well, a testament to Aguilera's popularity. In the spring of 2001, Aguilera was featured -- along with Pink, Mya, and Lil' Kim -- on the chart-topping blockbuster remake of Patti LaBelle's "Madam Marmalade" featured on the Moulin Rouge soundtrack. Aguilera was by right away a habitue at medicine industry awards shows; as she enjoyed her celebrity, a assemblage of older demos -- recorded when she was 14 and 15 -- was released under the claim Simply Be Free, despite Aguilera's vehement objections.


Aguilera attempted to discourage the mass media's expectations when she issued her second studio album in return 2002. Stripped, which appeared in October on RCA, was promptly criticized for its adult yet positive approach. Aguilera's count had departed from calendered to mealy. She appeared bare-breasted on the cover of the record album and went nude for a come down way out of Rolling Stone. Debut individual "Dirrty" revealed her new sexual power and became a chart smash, piece "Beautiful" showed her softer side. For her adjacent disc, notwithstanding, Aguilera split from producer Scott Storch and went to work with DJ Premier and Linda Perry, among others, for the 2006 Back to Basics, which debuted at routine one on the Billboard two hundred. The album, a two-disc put that explored her influences, primarily '20s, '30s, and '40s jazz and blues in the flair of Etta James or Billie Holiday, depicted a more grow -- so far at the same time provocative -- vocalist. The popular unmarried "Ain't No Other Man" north Korean won Aguilera the twenty-five percent Grammy Award of her career, and she dog-tired often of the following twelvemonth on the route, releasing the Plump for to Basics: Live and Down Under concert DVD to document the tour in late 2007.